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Tuesday, April 7, 2026

“Gang Oft Agley” - a recap of season 8 episode 5 by your Aussie Blogging Lass


Outlander Homepage Originals 


In times of crisis, it is sensible to have plans. Plans for how to approach danger, plans for how to respond in a crisis, plans of who to rely on and how to move forward. But what happens when plans change? And what happens if loyalty is misplaced? Can you still move forward, or will the consequences be permanent? A number of characters battle with loyalty - both true and misplaced - throughout this episode and plans most definitely go “agley”. 



As the hour begins, Claire and Jamie are watching Buck play with the children and discussing the somewhat awkward truth that they are responsible for the death of both of Buck’s parents. They are tending to the beehive as they speak and it is a conversation for the bees’ knowledge alone.  


Buck has heard a noise from the bushes and he sends the children to the house. Jamie and Claire notice that something is wrong and quickly move to join Buck. But this time it is not a bear in the bushes. Instead it is Aaron Whittaker, who has come with a warning. 

“Do you know a man named Cunningham, Mr Fraser?” he asks. “He’s coming for you.”


Inside the house, Whittaker tells Jamie what he knows. While out hunting with the Cherokee, his party was approached by white men trying to drum up support for the Loyalist militia. The message being given was that Cunningham would soon be in control of the Ridge. Whittaker and his friends had said nothing, but listened to the conversation play out. Cunningham’s plan, Whittaker says, is to attack Jamie and take him to General Ferguson to be hanged for show. This attack is to come in the near future, delayed only by Cunningham’s need to wait for reinforcements. Jamie expresses gratitude, but Whittaker says that he felt he owed it to Jamie, as thanks for the help that Claire had given in delivering their children. Jamie assures him that no debt had existed, but that he won’t forget it - nor will he ever let on where the information has come from. 



At Lord John’s, Brianna is painting the portrait of Amaranthus and a restless baby Trevor when William comes into the room. He compliments the painting, while Amaranthus steals flirtatious looks at him, before leaving to feed the baby. 


Brianna is distracted. The battle is about to begin and she doesn’t know where Roger is. William comments that she could wait until the battle is done before completing the portrait, but Brianna wants to continue. The painting serves as a distraction. 


The two siblings sit and have a heart to heart. Brianna asks William if he has been able to spend some time with Jamie. He replies that Jamie had helped him look for Jane, something for which he was grateful, but that the connection has gone no further than that. 


Brianna then shares her own story. She tells William that she didn’t know about Jamie until she was 19. Fresh from the loss of the man who she had idolised as her father, she didn’t want another one and was furious to find out that everyone had lied to her for her entire life, especially Claire, who she had wished dead instead of Frank. 

“Sound familiar?” she asks, with a wry smile at William.

“How did you overcome it?” he responds.

The answer is beautifully poignant.

“I got to know our father,” she replies. 



This was an excellent scene. Sophie Skelton and Charles Van de Vaart are very convincing as siblings with complicated pasts and connections. There is a gentle respect and affection between them and we get the feeling that if anyone can help build a father/son connection between Jamie and William, it will be Brianna. 


Meanwhile Jamie, Buck and Claire discuss Whittaker’s news and what can be done about Cunningham. Jamie tries to work out where the attack will be, dismissing both the Ridge, where Jamie still holds an advantage and the trading post, which will be too public. Suddenly, he realises that it is likely to happen at a Lodge meeting, where none of the men will be armed. 


Claire and Buck tell Jamie not to go to Lodge. Buck adds that they should kill Cunningham now, since he doesn’t know that Jamie is aware of the attack plans. But it is not as simple as that. Jamie needs to know where the alliances of the other men on the Ridge lie, as well as learn more about the extra militia that has been sent for. He needs to go, expecting the attack to take place after the meeting, so that Cunningham hasn’t broken the rules of no weapons in Lodge. It is time to make plans. Jamie’s own militia is still untrained and spread across the county. 

“There’s only one way I can see to stop it,” Jamie says. “I’ll have to make a deal with the Devil.”

The decision made, we see Jamie soon put a letter into the hands of Josiah Beardsley, who promises to ride all night to deliver it. 


At the continental camp, Roger is writing a letter of his own, to Brianna. He apologises for the position in which he finds himself. Although he hadn’t intended to be there, he tells Brianna, he nevertheless has the strongest feeling that he is where he is meant to be. He cannot in all conscience leave younger men to fight a battle that he knows they will lose. He compares his own decisions to the ones his father must have made in the second world war, and wonders if the feelings of fear would have been similar. Looking resplendent in his uniform and having completed some sword practice, Roger prays, asking God to allow him to live through the battle. “Because if you don’t, you’ll have my wife to deal with!” he adds. It is a nice bit of humour amidst the drama.



As he moves to join the groups starting to march, Roger notices a young French boy carrying a drum and obviously terrified. Roger goes to him and shares how scared he also feels, but adds that God is with them both. The boy smiles and Roger asks if he is ready.

“Je suis prest,” the boy replies and they begin to walk together. 


Brianna flinches at the increase in noise and William confirms that the battle has begun. The only road into town has closed, so it will be a while before Roger will be able to return. He asks what business has kept Roger away and in the spirit of their new honest relationship, Brianna shares part of the truth - telling William that Roger is at the Continental camp. She only says that he was ministering to the men, however, leaving out the details of trying to acquire guns for Jamie’s rebel militia. Brianna then asks where Lord John is and William replies that he is at headquarters, but pushes a packet across the table to Brianna. It is a flag designed to keep her safe, to be placed in the window should the city be breached. 


Unfortunately, Roger is not safely behind the lines, but running through the woods very much in the thick of battle. He comes across a man dying from a serious abdominal wound and stays with him as he dies, promising too to deliver a message to the man’s loved ones. The next wounded Roger sees is the young boy, who has been shot through the neck. Taking the young boy into his arms, Roger carries him back to the camp, where the doctor in residence is none other than Denzell Hunter. Roger implores Denzel to see that the boy does not die, as he had promised him that God was with them.

“He is,” Denzel says with as much reassurance as possible. 


As Denzel begins his painful work, the boy, Christophe, asks for Roger to pray, which he does, in French, naming the boy as his friend and referring to him as a good and courageous man. Christophe passes out, but Denzell assures Roger that the bullet has thankfully missed major arteries. Confident that the boy will survive, Roger heads back out onto the battlefield, but an explosion knocks him off his feet. As he falls backwards, we see a brief flash forward to the second world war, where a young Roger is also thrown backwards from an explosion, into the waiting arms of his father. It is a nice touch and we hope that this memory is for Roger’s benefit as much as for the viewer’s!



Richard Rankin does a great job in this episode of portraying this more assured version of Roger, both on the battlefield and as a minister. He is emerging from the shadow of Jamie, Ian and others at the Ridge to be a true leader himself. 


Preparations are under way. Lizzie is wandering with a basket and we see her glance around furtively before leaving the basket under a tree. She takes something from under her skirts and adds it to the basket before she leaves. Claire has sent Jem and Mandy to stay with Lizzie and tells Jamie, who is dressed in full kilt and cuts an imposing figure, that she knows where the guns are - even though Jamie assures her that both she and the children would be safe from Cunningham. She asks him not to go to Lodge, but this is not an option. Jamie tells her not to worry: they have a plan. But this is cold comfort to Claire, who reminds him that plans fail. Together they quote Robert Burns’ yet-to-be-written poem, ""The best-laid schemes o' mice an' men gang aft agley” but Jamie reminds her that there are some positives from the situation: Cunningham doesn’t want Jamie dead, nor does he know that Jamie is aware of the attack. He will have the Ardsmuir men, along with Buck and Kezzie watching for the other expected militia. Despite all this, Jamie admits that he believes it will still be an evil night ahead. 


In full Mac Dubh glory, Jamie is greeted by the Ardsmuir men outside Lodge. Cunningham steps forward and addresses him formally as Worshipful Master. Jamie wastes no time in sweeping past and suggesting that they begin the meeting. Back at the Ridge, Claire prepares her instruments, expecting wounded before the night is out. A figure is walking towards the house: it is Elspeth Cunningham.



Jamie recites the Lodge oath and the meeting begins. It is business as usual at first, with men asking for help for other occupants of the Ridge. But Jamie is distracted, watching Cunningham intently.


Elspeth and Claire begin an uneasy conversation. Elspeth says that she had to come, but is soon taken aback to learn that Claire and Jamie are aware of Cunningham’s plans. While neither woman thinks that the men will kill each other, there really is nothing left to do but wait - and pray. 


Towards the end of the meeting, Cunningham stands to make a speech about loyalty, using his son as an example of someone who was loyal until death. “As we all must be,” he adds. 

Jamie asks what has brought this particular topic to mind and the mood shifts. Politics is not usually spoken of in lodge, yet beliefs have been raised, and so Jamie addresses them. What they are fighting for is simple, he says: for freedom. It is something that no honest man will give up but for life itself. He calls upon Evan Lindsay to recite the closing prayer. It is during this time, with every man’s eyes closed, that Jamie slips outside and retrieves the pistol from Lizzie’s basket of wildflowers.



Cunningham and his men emerge from the shed, Cunningham calling, “Where is he?” 

By now, Jamie has made his way further into the woods, meeting Buck and Kezzie. There is no sign yet of the expected extra militia, nor of Josiah, with an answer to Jamie’s letter. The Ardsmuir men arrive next, now armed with names of the men from the Ridge who have shown their allegiance with Cunningham. Jamie gives his instructions: “Draw them into the trees. Mark their names and capture those you can. Any man in these woods is a traitor to me.” But he adds a word of caution: since Cunningham only plans to capture Jamie, not kill him, they are not to kill either. Jamie refuses to be the one to bring death to the Ridge.



It is indeed an evil night. Claire and Elspeth sit as thunder rumbles and a storm approaches. Elspeth begins to speak of her grandson’s prophecy: that he would see his father again in seven years. If this is true, then Cunningham will not be killed by Jamie, something that Claire remarks must be a comfort to the older woman. Elspeth says that Cunningham only intends to hand Jamie over to Ferguson.

“To be hanged!” Claire says. 

The uneasy truce broken, Elspeth says that Jamie is a pardoned traitor and has broken the grace of the pardon, so has earned his execution. Before they begin to argue further, Elspeth sighs. 

“We were going to pray, weren’t we?” she says.


Crombie is patrolling out the front of the trading post, when Jamie comes up from behind. Crombie tries to explain, but Jamie knocks him unconscious and heads inside. It is not long before Cunningham shows himself. He makes a show of putting his weapon down and suggesting that they talk. Jamie responds that there is nothing to talk about except for Cunningham to leave his land, either on foot or in a box. Cunningham responds that he has a box waiting for him, but not for five more years. With that, he grabs a knife from his belt and lunges at Jamie. 


The fighting is fierce and Cunningham quickly gains the upper hand, slashing Jamie across the chest and managing to get a rope around his neck, strangling him. Jamie fights him off and pushes Cunningham to the ground, but the captain digs his hand into Jamie’s wound, before trying desperately to reach the pistol lying on the ground. Jamie kicks the weapon away and the men fight with their fists, tumbling back outside. But Cunningham picks up Crombie’s weapon and points it at Jamie. 

“How did you know it was coming?” he asks.

“It’s my Ridge. I know everything,” Jamie snarls in response. He tells Cunningham he knows of the plan to take him to Ferguson for hanging. Cunningham responds that the plan has changed. Ferguson would take Jamie either alive or dead, and that dead would save him a lot of bother. 

‘I never wanted it to come to this, Mr Fraser,” he says, raising the pistol. 

A gunshot rings out, but it is not Jamie who falls. Buck has appeared from behind and shot Cunningham in the back. 


Brianna is standing at the window, looking out into the night, as William approaches to tell her that Lord John has written to his counterpart in the Continental camp and that they hope to have news in the next day or so. But the sound of battle has stopped, so Brianna knows that the fighting is over. She can no longer wait for news and intends to visit the camp herself. William immediately volunteers to accompany her the next morning.


Buck bursts through the door of the Big House with a man on a stretcher. Claire rushes over, but it is Cunningham who is injured. Jamie is close behind and she asks if he is hurt. He assures her that his injuries can wait, but that Cunningham has been shot in the back. At that, Elspeth walks over and slaps Jamie across the face, branding him a coward and adding that Cunningham had had no intention of killing him. Thunderously, Jamie suggests that she ask her son about his true intentions. 


Claire sends Jamie in search of Fanny, who will dress his wound, while she turns her attention to Cunningham’s injury. The wound is low and Cunningham can move his fingers, but not his feet. Elspeth pulls Claire aside and asks if Cunningham will live.

“I think so,” Claire replies, “but he might not be able to walk.” She explains that she needs to remove the bullet and that Elspeth should stay to help.

Meanwhile, Fanny has reported on Jamie’s injury: a serious gash across the chest. She has applied a compress and administered honey water, but is seeking Claire’s permission to grant Jamie whisky. This Claire gives : as long as he can stand upright and count to thirty first. 


Amaranthus and William meet outside in the garden. The sounds of battle over, Trevor is finally asleep. After a bit of flirtatious small talk about the beetle waistcoat and how Amaranthus would like to see William wear it again, the conversation turns serious. William admits that he has developed feelings for her and that he has been considering her earlier suggestion of marriage. 



But Amaranthus has a different plan. They could perhaps just “give it a go”. Her meaning is clear, but William is still a bit taken aback. He states again that they will get married, and this seems to remove any last remaining reticence. Amaranthus climbs into his lap and they begin to “enjoy the try.”


There is something about this relationship that doesn’t add up and many fans have speculated as to Amaranthus’ motives and who or what she might know. Book readers have a pretty good idea - but it remains to be seen if this part of the storyline will emerge untouched from the pages of the novel!


At the continental camp, Roger is praying over the bodies of the dead soldiers. He turns around to see Brianna and relieved, they run towards each other. Tearfully, Brianna admonishes him for worrying her and he apologises. Their reunion is interrupted by Denzell, who asks after Roger’s knee and then assures him that Christophe is doing well. Roger introduces them and Brianna, each expressing pleasure at meeting the other. William appears too, happy to see Denzell again. While Roger and Brianna are leaving the camp, still able to travel under the safe passage of Lord John’s letter, William has decided to stay at the camp for a bit to catch up with his friend.

“You know, for a loyalist you have a lot of rebel friends,” Brianna remarks. 


As they walk, Denzell updates William on Rachel and the news of the baby. Denzell has to report to General Bleeker and William waits outside the tent. But a man soon appears that William didn’t expect: it is Ben. William follows his cousin into the tent and at first embraces him warmly. But slowly, realisation dawns. Ben is now wearing the uniform of the opposite side, and has allowed his family to believe him dead. And so, the embrace turns into a punch. 


Claire is bandaging Jamie’s chest and he asks why Elspeth had been in the house. Claire explains that as unlikely as it may seem, Elspeth had come to pray with her and that both women had been scared. Jamie admits that he had thought he was done for, and that he hadn’t realised Buck was there until he saw Cunningham fall. Claire asks about the rest of Cunningham’s men and Buck appears with whisky for them all, informing Claire that the men concerned had been stripped of their weapons and sent home in disgrace. Jamie asks Claire for paper and reels off a list of names. If he isn’t around, he tells Claire, she must get rid of the men listed. He has no intention of keeping them as tenants. 



Another group of men on horseback are approaching and everyone gets ready, pointing rifles at the strangers. But “Hello the house” is heard. It is Josiah, back with the devil himself: none other than Benjamin Cleveland. A deal is about to be struck - and we can’t help be anything but nervous. Frank’s book had predicted that Jamie would fight with Benjamin Cleveland at the Battle of King’s Mountain - and it looks as if another piece of the puzzle is falling into place. 


This episode was often a white knuckle ride, with lots of suspense and danger for the main characters. Loyalty, both true and misplaced, was certainly on display. Large chunks of the book were used, which no doubt contributed to the successful creation of the atmospheric tension which persisted throughout the hour. Diana Gabaldon herself has branded this episode as one of her favourites, also drawing attention to the fact that 90% of the dialogue came from the book. 


We are now halfway through the final season. What is in store for us next?



This recap was written by Susie Brown, a writer and teacher-librarian who lives in Australia. After their actions this week, she wouldn’t mind having Roger and Buck on hand in a crisis! 

Monday, March 30, 2026

“Stronger Together” A recap of season 8 episode 4 by your Aussie Blogging lass.


Outlander Homepage Originals 


Helen Keller once said: “Alone we can do so little; together we can do so much.” It is a quote that can be applied to this latest episode, the fourth one of the final season. It is not the actions of one person that stands out in this hour, but the growing strength that can be found in relationships.


Indeed, the episode begins with a strategy session. Jamie has reconsidered Brianna and Roger’s plans about procuring guns for the Ridge and is using Frank’s book to determine the safest way to do so. Armed with the date of the battle to end the siege of Savannah and the knowledge that it won’t reach the centre of the city itself, Jamie is sure that Roger, Brianna, Fergus and Marsali will all be safe, while Jem and Mandy will stay at the Ridge, well out of harm’s way. Jamie hands Roger a letter for one Lieutenant Colonel Francis Marion, a man with militia experience, who will, Jamie feels, be happy to arm people from the Back Country. Roger asks if they are raising their own militia and Jamie confirms this. It is either that or join forces with Benjamin Cleveland, something which Jamie refuses to do. There is no time to disguise the French gold as musket balls this time, but Jamie assures them all that he has an idea.


The idea turns out to be a pungent one. In Fergus’ print shop, the contents of barrels of sauerkraut are emptied to reveal bottles of whisky and the gold bars hidden in the barrels’ false bottoms. Quickly Roger explains to Fergus and Marsali their extra mission beyond Brianna’s portrait painting. Brianna adds that they had thought it best to leave the details out of their most recent letter. 


Given that Roger can’t just walk into an army camp with gold bullion and expect to walk out with spare weapons, arrangements will need to be made. While this happens, Fergus and Marsali agree to keep the gold. With the barrels resealed awaiting some German sauerkraut loving customers, the four friends prepare to toast their reunion with, in Fergus’ words, “Milord’s divine elixir.” Alone for a brief moment, Brianna asks Roger if he should leave for the camp straightaway, just to be on the safe side. But Roger says that he has plenty of time to return before the fighting starts, adding that a dram will help to speed him on his way. 


Jamie arrives back from collecting the rents and tells Claire that Cunningham had not been exaggerating about the loyalties of the people who now live on the Ridge. Most are loyal to the Crown and while the Ardsmuir men would fight in Jamie’s militia, it is not enough. He needs to recruit many more from elsewhere, so as not to arouse Cunningham’s suspicions, and plans to leave immediately, taking Ian and Josiah with him. Claire asks if it wouldn’t be better to evict Cunningham, but Jamie says that would likely only result in someone avenging the man, or having someone worse replace him. He prefers to keep Cunningham close. Again, Frank’s book has provided more information. It is Cunningham’s superior officer who forms the loyalist militia that will fight at Kings Mountain. Claire warns against relying too heavily on Frank’s book, given that they can’t be sure of his motivations for writing it, but Jamie responds that whatever the motives, they are beginning to see events from the book happening before their eyes, events that are being carried out by the same people Frank had written about. 


“I’m not certain if I will fight, Claire,” Jamie says solemnly. “But if Cunningham is forming a militia, then we need to be ready.”  


As Fergus, Marsali, Brianna and Roger toast to muskets, liberty and sauerkraut, they discuss the unlikely prospect of a minister and his wife being gun smugglers. Brianna takes credit for the idea, saying that she and Roger would be the last people to be suspected. 


“And here’s me thinking you came all this way to visit us and paint a wee picture for Lord John,” Marsali jokes. 


Fergus has also heard from Lord John. It has been suggested that Fergus should meet with one of John’s associates, one Percival Beauchamp, who has information that could be of interest. Brianna is musing as to the coincidence that Claire’s maiden name was also Beauchamp, when suddenly a rock is thrown through the glass window, narrowly missing her. Fergus races outside, but is only in time to see his printshop sign smashed and two men running away. 


As they start to clean up, Marsali reveals that this has been happening regularly. They have received threats, and even bags of dead rats and a serpent. “These days when people don’t like the news, they tend to blame the printer,” she says. Although their personal position as patriots is unknown and they have publicly taken an impartial view, it is impossible not to anger one side or another. 

“Just the life of a newsprinter in these troubled times,” Fergus remarks. 


There is a strength to Fergus and Marsali in these early scenes that is different to previous seasons, and Caesar Domboy and Lauren Lyle excel at portraying the couple’s growth since we last saw them. They are obviously settled in their relationship once more, and are a determined team. 


Meanwhile, Jamie has begun his recruiting campaign, promising a group of men their own individual muskets and shot when his expected delivery of weapons arrives. The men are happy to join his militia and Josiah records their names. But Ian walks over to Jamie, looking concerned. He has recruited more men, he says, but one man, also Scottish, has claimed to be enroute to Frasers Ridge, adding that he knows Roger and Brianna. Suspecting that the man could be Rob Cameron, Jamie and Ian approach the campsite, guns drawn. But instead of Cameron, the man turns out to be none other than Buck MacKenzie. He has come, he says, to tell Roger and Brianna that Cameron will not be bothering them again. He holds up Roger’s book, the guide to time travel that Roger had been writing back in the 20th century. “Don’t want it to fall into the wrong hands a second time,” Buck comments, as he gives the book to Jamie.

“Buck Mackenzie,” says Jamie, softly. “You remind me of your father.”



This is another departure from the book, and it will be interesting to see how this plays out. Whether Buck has been back to the 20th century, or Cameron had indeed made it to the 18th, it seems as if that particular danger has now been dealt with. (Given that this reviewer liked Diarmaid Murtagh’s portrayal of Buck, she is cautiously hopeful as to the storyline!) 


Brianna is agreeing to paint Fergus, Marsali and the children after her sitting with Amaranthus, and Fergus is giving advice to Roger. He shouldn’t linger at the Continental camp, Fergus advises, unless Roger wants to risk getting caught up in the imminent battle. 


Amidst the creaks and groans on a windy night, Claire and Fanny get into a philosophical discussion as to whether houses are alive. Claire is of the mind that houses absorb some of the personalities of the people who live there. The conversation turns to the recently departed, via mention of Amy Lindsay. Claire comments that after someone dies, the people left behind can sense them.It’s not a case of haunting, Claire says, but more a longing from the still living. 


“I wish Jane would haunt me,” Fanny whispers, tearily. 


Claire encourages Fanny to talk about Jane and keep her memory alive, so Fanny begins to do so, telling Claire how Jane used to talk about their parents and whispering snatches of French to her younger sister. We see this affect Claire, who no doubt starts thinking about Faith - but fortunately a loud bang from a loose window stops the conversation before we can get thrown headlong into another Faith Lived scenario…


Despite the regular snippets of this ridiculous plot line, we can’t take anything away from the beautiful emotive acting of Florrie May Wilkinson. She really is a delightful young actress.


Another delightful actress makes her appearance amidst the storm - Frances Tomelty, playing Elspeth Cunningham. Elspeth sweeps into the room ignoring Fanny’s polite suggestions of waiting in the parlour. She is hurt, having fallen and dislocated her shoulder. After a few generous slugs of whisky, she allows Claire to reset it, complete with a string of cursing that makes Fanny smile. Her guard down, the young girl forgets the “Don’t speak about life in the brothel” rule and begins a frank conversation with an increasingly inebriated Elspeth about what she has seen in her young life. 



After Fanny is sent to the kitchen, Elspeth and Claire continue the conversation, beginning with debating what constitutes bad language and continuing with the revelation that Elspeth’s first husband was a sailor. Elspeth makes the observation that women tend to be freer in their speech when men are absent, but also expresses concern about Fanny’s honest description of her past life. Claire assures the older woman that Fanny knows not to speak about it outside of the house and tells Elspeth that she too should feel free to say whatever she would like, as Elspeth’s injury and inebriation are enough reason for an overnight stay. 


This was a fabulous scene. Frances Tomelty is a consummate performer, turning Elspeth from a caricature “Wicked Witch of the West”, to a practical woman of the Ridge, to a slightly vulnerable older woman with a past and a penchant for bad language! It is obvious that Claire respects - and maybe even likes - Elspeth and this reviewer hopes for many more scenes between the two.


Brianna arrives at Lord John’s where she is greeted warmly by John, with surprise by William and in a decidedly frosty fashion by Amaranthus, the latter making a comment about not knowing that the portrait painter was going to be a woman and then racing off to give baby Trevor his evening feed. John quickly makes himself scarce, leaving Brianna and William to talk. William remarks that the last time they had met, Brianna was off to Boston. Brianna replies that in the current dangerous climate, they had preferred to be closer to family and so had returned to the Ridge. William asks after Fanny and Brianna responds that the young girl has settled in well, with both Claire and Jamie being quite taken with her. At the mention of Jamie, the talk moves to their shared father. Brianna admits that she had known who William was when they had first met, and apologies that she hadn’t said anything, explaining that Lord John and Jamie had been adamant that William should not know. Brianna says that she would have loved for William to meet Roger and the children and then uses a lovely turn of phrase. “I really wanted you to meet them,” she says, “even if you didn’t know that we were… well… yours.” William seems touched by this too and we watch a gentle sibling bond developing. William says that he is glad that she hadn’t told him, as he wouldn’t have known how to respond at the time, before admitting that he still doesn’t.



Charles Van de Vaart and Sophie Skelton do a lovely job of this scene - hopefully there will be more screen time with these two siblings in the future episodes. William loses his tendency towards stubbornness and petulance around Brianna and it is likely that if anyone can make William accept his parentage, it will be Brianna - a fact that Lord John undoubtedly knew before his sudden need to attend to various urgent matters!


Fergus has arrived to meet with Percy Beauchamp. Beauchamp wastes no time in getting to the point. He tells Fergus he can give him details about his birth and tells Fergus that he is the son of the Comte St Germain.  Fergus immediately dismisses the claim, branding it preposterous. But Percy continues. While not French himself, he has married into a prestigious French family with a sordid secret. He tells the story of his wife’s older sister, who began an affair with Comte, only to disappear. The name of the woman in question, Amelie, was one with whom Fergus was indeed acquainted, a girl at the brothel who had died some years before. Percy claims to have heard the story from a servant. The Comte had tired of a pregnant Amelie, so had lured her away, drugged her and sold her to a brothel, whereupon she gave birth to a child. The Comte himself has been missing for thirty years and is now declared dead, Percy tells Fergus, with his estate being held in trust. The estate could be released, should the Comte’s heir petition for it. 


Fergus reminds Percy that an illegitimate heir cannot inherit property. He goes to leave but Percy stops him by using his given French name of Claudel and then revealing his trump card - a copy of a marriage contract between the Comte St Germain and Amelie Beauchamp. If true, Fergus could inherit a sizeable amount of land and it is the land that Percy is interested in. Associates of his wish to establish a French colony with French settlers, but Le Comte’s solicitor refuses to sell the stock at any price. If Fergus as heir were to claim the land, Beauchamp says, his associates would pay handsomely for it. 


William finds Amaranthus in the garden. She is short with him, suggesting that if he is in search of company, then perhaps Brianna could oblige. It is clear that she is jealous. William explains that Brianna is his sister and begins to explain his complicated lineage, adding that while Jamie has never acknowledged him publicly, this is not something that he wants, in any case. 


“I’m only telling you this because you asked,” William says, “and because I enjoy your company.”

Amaranthus smiles and the two recommence their flirting.


William says that he has recently thought about renouncing the title of the Earl of Ellesmere, but that English law makes this impossible. Immediately, Amaranthus suggests a solution: they can marry and William can pass his title onto their first child. Somewhat taken aback, William listens as Amaranthus remarks that they enjoy each other’s company and that he might actually enjoy being married to her. William thanks her for not thinking less of him and she reminds him of her own lowly parentage. She had always thought she would be a merchant’s wife, she tells him, yet has found herself to be Viscountess Grey, with her son the future Duke of Pardloe. A title is just something to have, not something to define oneself by. She holds out her hands and William takes them.


This is a relationship that is developing at a rapid pace, and we can’t help but be suspicious of Amaranthus at this point. It is only her word that establishes her as Ben’s widow, and she now knows a lot of personal information about William. Might this conversation come back to bite him in the future?


A slightly hungover Elspeth and Claire are discussing the older woman’s condition. Elspeth flinches at the loud noises coming from the attic, and asks Claire why they had built an attic in the house anyway. Claire explains that it could be used as a refuge in times of trouble. Claire asks a question in turn: does Elspeth believe what her grandson had predicted on his death bed - that he would see his father, Captain Cunningham in seven years? 

“I only know that he believes it,” Elspeth responds. 


At that moment, a knock on the door reveals the man himself, who has come, he tells Claire to collect his mother. There is a decided shift in Cunningham’s mood. Far from being relaxed and pleasant, this Cunningham is impatient, pushing his way into the house and looking around before being directed to the room where Elspeth is waiting. She praises Claire’s healing and hostess skills, adding the information that Jamie is away on business. This is perhaps information that should not have been shared. After taking the herbs that Claire has offered for Elspeth’s continued recovery, Cunningham leaves Claire with a thinly veiled threat. 

“You have a very fine home,” he tells her. It must feel very empty, with him away and you here all alone.”


Refusing to be rattled, Claire replies that she is fine. Jamie will be home at any moment, she says, and promises to tell Jamie to drop by so that he and Cunningham can continue their conversation. Elspeth breaks the sinister atmosphere by standing and asking if Cunningham has brought the cart.

“Until next time,” Cunningham says and the two leave.


Marsali and Fergus are discussing the possibility of Beauchamp’s revelations being true. Fergus knew Amelie, he tells Marsali, but hadn’t known that she was his mother. She had earned the name of the Baroness, as she hated all of the children from the brothel, but Fergus most of all. He tells Marsali that he now understands why: he was the spawn of the man who had taken everything away from her. Yet on her death bed from the morbid sore throat, Amelie had summoned a six year old Fergus to her bedside and told him to be a good boy. 



The whole situation is horrendously complicated. Fergus hates what the Comte had done, including trying to poison Claire. The thought that he might be the man’s son is abhorrent to him. Marsali counters that Fergus is nothing like the Comte and that perhaps he can do some good with what he has been left. But Fergus is suspicious not only of Percy, whom he brands as a whore, but of what would happen if he was to sell the land to the people that Percy has mentioned. 

“We’ve devoted ourselves to the patriot cause. We’re not fighting to be free of a British king just to become servants of a French one.” 

The main problem though, is one of identity. For Fergus to claim the land, he must publicly acknowledge the Comte as his father. 

“Mr Beauchamp told me what every orphan wants to hear: that I’m the son of a great man. But I’m already the son of a great man.” 

He is of course referring to Jamie, and the two of them smile.

This was another beautifully acted scene, with Caesar Domboy showing Fergus’ conflicting emotions perfectly. 


Lord John is pouring a drink for himself and Brianna when distant canon fire is heard. Assuring her that she is perfectly safe, he explains that a French warship has taken to firing its canon on occasion. It is anchored well out of range and is more of a nuisance than anything else. Brianna asks John why he hadn’t told William she was coming. After a bit of mumbling and excuse giving, John admits that he had thought that Brianna would be able to help William, who has been lost since discovering his true parentage. Brianna is the only other person to have discovered, as an adult, to have been fathered by James Fraser.


“You could have just told me the truth you know,” Brianna tells him. “I would’ve come anyway.”

John challenges Brianna’s honesty too, guessing that Roger’s other errands actually involve the continental army encampment. She doesn’t deny it.



It is undeniable that these two characters share a special bond. John shares his frustrations and worries with Brianna, commenting that Jamie’s children have inherited their father’s stubbornness and that it is very difficult to get them to do anything they do not wish to do. He recounts a story of a young William who had become lost on the estate and had been wandering alone in a fog on the fells. 

“Sometimes I see that,” John says, “sometimes other things.”


Brianna assures him that it is natural for all parents to see things like that. “I can’t make any epromises,” she says, “but I’ll see what I can do.” John smiles at her gratefully. 


Rachel has seen a troubling headline in a newspaper in town and is noticeably distracted back at the Ridge while she works with Lizzie and Claire in the garden. She shrugs off Claire’s enquiry as to her welfare, when Mandy and Jem notice riders coming towards the house. It is Jamie, Ian and Buck, the latter being received with great excitement by the children. Claire and Buck are formally introduced and Jamie tells Claire that he has invited Buck to stay.

“Of course,” Claire responds. “You’re family.”

They head inside, with Buck asking if there is any chance of eating peanut butter sandwiches.


Rachel has stayed outside, looking troubled. When Ian approaches, she shows him the paper she has brought back with her. There has been a massacre of Mohawk villages, Shadow Lake amongst them. Anguished, Ian tells her that he must go north. He needs to find what has happened to his former wife and his son. Rachel understands, telling Ian that she and Oggie will accompany him. 


Claire helps Rachel as they prepare to depart. She tries to convince the younger woman to stay, but Rachel is determined. She prays that Emily and her children have survived, she tells Claire, but she also wants to be by Ian’s side so that he won’t forget the life he has with her. She feels guilty at the thought, but Claire assures her that this only makes her human.


Meanwhile Jamie is standing with Ian. Ian plans on taking Rachel to a proper meeting in Philadelphia on their way, commenting that Rachel has missed it. Jamie asks Ian to visit the brothel where Jane and Frances had been, to ask the girls there for any information Jane might have told them about her family. 

“We’d like Frances to ken more about her family,” he says by way of explanation and Ian promises to find out what he can. 



Jamie has one more important piece of information for Ian, telling his nephew about Frank’s book and the prediction of the upcoming battle on King’s Mountain and his supposedly involvement. Claire is convinced that Frank is lying, Jamie says, but he is becoming more convinced that it is the truth. Ian assures Jamie that he will be back from his business up north with time to fight with Jamie. 

“Da may be gone,” he says, “but I’ll guard your left in his stead.”

Tears shining in his eyes, Jamie thanks him and recites a prayer in Gaelic to send them on their way.


Roger has arrived at the Continental camp and has found Colonel Marion. He wastes no time in explaining the situation and offering to pay Marion for his assistance. Marion says that he feels they could reach an agreement and Roger hands over the letter from Jamie. But the name General James Fraser does not impress Marion as Roger has expected it would. Instead, Marion describes Jamie as the man who abandoned his troops to attend to his wife. Roger assures the Colonel that Jamie is an honourable man and a brave soldier, but Marion is not convinced. Jamie could have been court marshalled or hanged, he tells Roger, and he can’t afford to give his precious resources to someone who has already lost the Continental Army’s trust. His answer is no. But when Roger tries to take his leave, that is denied as well. The assault on the city is a few days away and no-one is allowed to leave camp, so that possible deserters can be prevented from warning the British. Nothing Roger says to try and convince him is successful and he is given two choices: Marion can find him a safe place to wait out the battle, or he can fight. He offers Roger a rifle, which Roger refuses.



“Stay here and wait then,” Marion says. “If things go wrong, you can help bury us.”

With a look heavenward, Roger makes a decision. “I’m no good with a rifle,” he tells Marion. “But if you can find me a sword, I’ll fight with you.” 

And with suitable atmospheric music, the episode comes to an end. 


Relationships are a central theme in this hour, focusing on the comfort and strength that can be drawn from them. We have long been used to the connection between Jamie and Claire, but in this episode many more relationships take their turn in the spotlight, notably Fergus and Marsali, Claire and Fanny, Claire and Elspeth, Brianna and William, Brianna and Lord John, Buck and the children, Claire and Rachel, Ian and Jamie, Ian and Rachel. Other relationships seem more problematic: William and Amaranthus, Cunningham and Claire, Percy and Fergus and finally Roger and Marion. If battles are truly coming as Frank’s book has predicted, then relationships and alliances will be more important than ever. But which ones will be helpful, and which will harm? The stage is set and the stakes are high.



This recap and review was written by Susie Brown, a writer and teacher librarian who lives in Australia. She didn’t expect to like Elspeth Cunningham so much, but hopes that there are many scenes to come in the episodes ahead!